Felices fiestas a todos nuestros seguidores. Muchas gracias por ponerse en nuestras manos. Por recorrer este camino de exploración que nos lleva a nuestro talento real y honesto. A la expresion de nuestras emociones genuinas y no disfrazadas. Este camino maravilloso de “NO ACTING PLEASE!” Los esperamos en Marzo para seguir descubriendo nuestro propio talento!. Feliz 2018 para todos!!!
domingo, 3 de diciembre de 2017
jueves, 9 de noviembre de 2017
Reflexiones de Eric Morris
Palabras para la reflexion de ERIC MORRIS
SOBRE EL ENTRENAMIENTO....
SOBRE EL ENTRENAMIENTO....
"Me asombra terriblemente como hay actores que creen que el entrenamiento no es necesario. Muchos de estos "actores" creen que el entrenamiento puede interferir con el talento natural y la intuición. No estoy seguro si esto es ignorancia, superstición o simplemente una excusa para ser vagos. Cualquier tipo de trabajo lleva algún tipo de entrenamiento. La actuación que trata con lo físico, lo psicológico y las complejidades emocionales del comportamiento humano lleva un entrenamiento que dura toda la vida. Hay un estigma que acompaña la noción de estar estudiando. Pareciera ser que si estas estudiando es porque aun no estas preparado. ESTE ES UN GRAN ERROR. Nuestro propio crecimiento es un proceso continuo. La dedicación, investigación y exploración continuaran hasta el día que te mueras".
Eric Morris
SOBRE EL INSTRUMENTO.....
“Primero hay que entender lo que nos pasa para poder liberar el instrumento. Cuando una persona decide ser actor tiene que estar conciente de sus inhibiciones. Porque cada personaje que encare tiene una obligación emocional que necesita ser expresada y que él puede no tener disponible por sus propios bloqueos. “
“Qué se puede hacer para cambiar? Primero asumir la existencia de los obstáculos. Para poder hacer la terapia instrumental. Yo creo que confrontar los demonios en forma insistente es la mejor manera de hacerlos desaparecer. Que vos quieras lidiar o no con los obstáculos es una decisión personal, pero si queres ser un artista tenes que deshacerte de ellos”.
“El actor se prepara y se prepara y se prepara. Si tenes una técnica, este sirve para sacarte de un apuro, asi que anda a la técnica cuando tengas un problema”.
“Trabaja buscando realidad no aprobación. Vos sabes cuando algo se siente bien y lo estás haciendo bien o cuando algo no está bien y no se siente bien”.
Eric Morris
The Morris Acting Technique
“Es por esto que hacemos el Workshop de Instrumentales (desbloqueo emocional). Es por esto que le hacemos tanto hincapie a la emocional. Cuando vienen y dicen esto paraece terapia....SI es asi, no podes lidear con tus obstaculos y tu vida emocional sin que sea terapeutico y revelador. Como actores es nuestra obligacion conectar y ser concientes de nuestros emociones y como se expresan. Es parte elemental de saber contar una historia en forma autentica y efectiva. No podes expresar emociones genuinas si estas son ajenas, desconocidas o bloqueadas para vos!”
Jackie Kruguer
The Morris Acting Technique Argentina
The Morris Acting Technique Argentina
jueves, 12 de octubre de 2017
11 y 12 Noviembre WORKSHOP DE INSTRUMENTALES
11 y 12 de Noviembre 2017. Ultimo workshop del año! WORKSHOP DE INSTRUMENTALES.
SOMOS TODOS UNICOS Y ESO NOS HACE ESPECIAL.
NECESITAMOS CONOCER LO QUE NOS HACE VIBRAR,
CUALES SON NUESTRAS LIMITACIONES Y BLOQUEOS
PARA PODER PRESTARLE A NUESTROS PERSONAJES
NUESTRA "VIDA EMOCIONAL".
NECESITAMOS CONOCER LO QUE NOS HACE VIBRAR,
CUALES SON NUESTRAS LIMITACIONES Y BLOQUEOS
PARA PODER PRESTARLE A NUESTROS PERSONAJES
NUESTRA "VIDA EMOCIONAL".
A NIVEL PERSONAL ES MUY IMPORTANTE SABER QUE NOS PASA EMOCIONALMENTE Y DESBLOQUEAR AQUELLAS EMOCIONES QUE NOS CUESTA ENFRENTAR.
EN LA "VERDAD" SE ESCONDE
EL VERDADERO TALENTO.
EL VERDADERO TALENTO.
EN ESTE FIN DE SEMANA DE 10 HORAS EXPLORAREMOS NUESTRAS EMOCIONES Y COMO SE EXPESAN. NOS CONOCEREMOS MEJOR Y ENCONTRAREMOS HERRAMIENTAS PARA PODER CONECTAR DESDE UN LUGAR HONESTO Y REAL. ENCONTRAREMOS NUESTRA PROPIA EXPRESION.
SABADO Y DOMINGO DE 12 A 17HS.
INSCRIPCION OBLIGATORIA Y CUPOS LIMITADOS.
PARA MAS INFORMACION: joymorrisjackie@yahoo.com
INSCRIPCION OBLIGATORIA Y CUPOS LIMITADOS.
PARA MAS INFORMACION: joymorrisjackie@yahoo.com
lunes, 14 de agosto de 2017
Nuevo WORKSHOP DE SUBPERSONALIDADES 7 y 8 de OCTUBRE
SOMOS LA SUMATORIA DE TODO LO QUE VIVIMOS. ESTO HACE QUE SE VAYAN DESARROLLANDO DISTINTAS SUBPERSONALIDADES QUE FORMAN TU PERSONALIDAD.
SABES CUANTAS PERSONAS VIVEN ADENTRO TUYO?
SABÍAS QUE NO A TODOS LES GUSTA LO MISMO?
TENES UNA VICTIMA MUY A FLOR DE PIEL?
TU GUERRERO HACE CUANTO NO SALE A DEFENDERTE?
SENTIS QUE TU AFRODITA O DON JUAN ESTA AUSENTE? O QUIZAS DEMASIADO PRESENTE Y DOMINANTE?
CONOCES A TU PERFECCIONISTA?
HACE CUANTO NO VES A TU NIÑO MAGICO?
EXPLOREMOS Y VEAMOS QUIEN ESTA ADENTRO.
TU ACTOR SALDRAS CON UNA CAJA DE HERRAMIENTAS IMPERDIBLE !!!
Para más información escribinos a:
joymorrisjackie@yahoo.com
CUPOS LIMITADOS
INSCRIPCION OBLIGATORIA
joymorrisjackie@yahoo.com
CUPOS LIMITADOS
INSCRIPCION OBLIGATORIA
miércoles, 21 de junio de 2017
JOY MORRIS A BIOGRAPHY
Coach / Educator / Filmmaker / Writer / Dreamer
Joy Morris
Joy has been coaching the 'Morris Technique' for more than thirty years. She is recognized all across the USA, and in Latin American. Through this method, she has helped actors become better at their craft. In addition to teaching actors, she has coached executives in all walks of life, helping them to communicate better, be more expressive and to be more productive. Here is her story:
The Dreamer
In the early 70’s Joy decided to pursue her dream to live her life as she imagined it to be and to have a career in Hollywood. She drove across country to Los Angeles, leaving her Southern home behind and began her adventures in the world of theater and art.
Educator and Coach
While married to the renowned acting coach, Eric Morris, she trained for five years before beginning her teaching career. She taught exclusively at 'The Morris Acting Studio' for fifteen years. During this period, she co-founded The American New Theater.
Joy also taught a directors class at the University of Southern California. Her class included techniques on how to work with actors, how to get what the director needs and at the same time, be sensitive to exposure of the actor.
She moved to New York in the early nineties where she continued a busy life of teaching. she opened her own studio on Eighth Avenue where she continued to teach acting classes. In 1994, a young actor called Leonardo Sparaglia from Buenos Aires asked her to do a seminar in his country. The experience proved to be one of the best in her life and as a result she returned every year to teach hundreds of students in Argentina until she left Jackie Kruguer in charge in 2010.
Today, she conducts seminars in Los Angeles, New York, Miami, San Francisco, Washington, Chicago and most of major cities across the states.
Filmmaker and Writer
• Joy co-wrote, co-directed and was executive producer for the feature film, “The Night of the Coyote”.
• While she was living in New York, she produced and directed over one hundred showcases for agents and casting directors. She also directed more than twenty plays, including her own, called “Who’s Got The Edge”, a story about friends and competition, that played at The Madison Avenue Theater starring Rodney Rowland and Mark Mathieson.
• Joy has written two books on acting. “For The Love Of It” is used in many schools across the country, the Spanish version is used in Latin America.
• Her book “My Little Black Book Of Acting” is an easy guide for actors.
The Morris Technique
Joy’s technique takes its origins from the philosophy of the Russian acting teacher and director, Constantin Stanislavski. Lee Strasburg brought the ideas to the US, forming “The Group Theater” in New York City. Her work is greatly influenced by the teachings of Dr. Carl Jung’s theories. She emphasizes the different archetypes in our personality and the truth of self-expression.
Joy Morris
Joy has been coaching the 'Morris Technique' for more than thirty years. She is recognized all across the USA, and in Latin American. Through this method, she has helped actors become better at their craft. In addition to teaching actors, she has coached executives in all walks of life, helping them to communicate better, be more expressive and to be more productive. Here is her story:
The Dreamer
In the early 70’s Joy decided to pursue her dream to live her life as she imagined it to be and to have a career in Hollywood. She drove across country to Los Angeles, leaving her Southern home behind and began her adventures in the world of theater and art.
Educator and Coach
While married to the renowned acting coach, Eric Morris, she trained for five years before beginning her teaching career. She taught exclusively at 'The Morris Acting Studio' for fifteen years. During this period, she co-founded The American New Theater.
Joy also taught a directors class at the University of Southern California. Her class included techniques on how to work with actors, how to get what the director needs and at the same time, be sensitive to exposure of the actor.
She moved to New York in the early nineties where she continued a busy life of teaching. she opened her own studio on Eighth Avenue where she continued to teach acting classes. In 1994, a young actor called Leonardo Sparaglia from Buenos Aires asked her to do a seminar in his country. The experience proved to be one of the best in her life and as a result she returned every year to teach hundreds of students in Argentina until she left Jackie Kruguer in charge in 2010.
Today, she conducts seminars in Los Angeles, New York, Miami, San Francisco, Washington, Chicago and most of major cities across the states.
Filmmaker and Writer
• Joy co-wrote, co-directed and was executive producer for the feature film, “The Night of the Coyote”.
• While she was living in New York, she produced and directed over one hundred showcases for agents and casting directors. She also directed more than twenty plays, including her own, called “Who’s Got The Edge”, a story about friends and competition, that played at The Madison Avenue Theater starring Rodney Rowland and Mark Mathieson.
• Joy has written two books on acting. “For The Love Of It” is used in many schools across the country, the Spanish version is used in Latin America.
• Her book “My Little Black Book Of Acting” is an easy guide for actors.
The Morris Technique
Joy’s technique takes its origins from the philosophy of the Russian acting teacher and director, Constantin Stanislavski. Lee Strasburg brought the ideas to the US, forming “The Group Theater” in New York City. Her work is greatly influenced by the teachings of Dr. Carl Jung’s theories. She emphasizes the different archetypes in our personality and the truth of self-expression.
martes, 6 de junio de 2017
NUEVO WORKSHOP SUBPERSONALIDADES 24 Y 25 DE JUNIO 2017
Nuevo WORKSHOP DE SUBPERSONALIDADES 24 Y 25 DE JUNIO
SOMOS LA SUMATORIA DE TODO LO QUE VIVIMOS. ESTO HACE QUE SE VAYAN DESARROLLANDO DISTINTAS SUBPERSONALIDADES QUE FORMAN TU PERSONALIDAD.
SABES CUANTAS PERSONAS VIVEN ADENTRO TUYO?
SABÍAS QUE NO A TODOS LES GUSTA LO MISMO?
SABES CUANTAS PERSONAS VIVEN ADENTRO TUYO?
SABÍAS QUE NO A TODOS LES GUSTA LO MISMO?
TENES UNA VICTIMA MUY A FLOR DE PIEL?
TU GUERRERO HACE CUANTO NO SALE A DEFENDERTE?
SENTIS QUE TU AFRODITA O DON JUAN ESTA AUSENTE? O QUIZAS DEMASIADO PRESENTE Y DOMINANTE?
CONOCES A TU PERFECCIONISTA?
HACE CUANTO NO VES A TU NIÑO MAGICO?
EXPLOREMOS Y VEAMOS QUIEN ESTA ADENTRO. CONOCERTE A VOS MISMO SERÁ UNA EXPLORACIÓN LÚDICA, PROFUNDA Y REVELADORA.
PARA TU ACTOR SALDRAS CON UNA CAJA DE HERRAMIENTAS IMPERDIBLE Y ABSOLUTAMENTE NECESARIA.!!!
Para más información escribinos a:
joymorrisjackie@yahoo.com
CUPOS LIMITADOS
INSCRIPCION OBLIGATORIA
joymorrisjackie@yahoo.com
CUPOS LIMITADOS
INSCRIPCION OBLIGATORIA
lunes, 29 de mayo de 2017
Eric Morris: Biography
Eric Morris has been teaching his unique acting system in Los Angeles, New York, all over the United States for fifty three years. His approach to acting is to teach actors “how not to act” but to become “professional experiencers” which means that instead of imposing emotional behavior they must experience in reality what the character is actually experiencing in the material.
This is accomplished by using their own life experiences as choices to address and fulfill the life experiences of the character in the piece. His inherent passion for reality and truth have resulted in the development of his system. While his techniques are solidly rooted in the method he has gone far beyond the original precepts of the Stanislavski system and so many of the practitioners of that approach.
His work is divided into two areas, the instrument and the craft. The instrument is the actor replete with obstacles, blocks, dependencies, tension and a host of other issues that make him unable to be free to act. Eric has created over three hundred exercises and techniques to address these problems and liberate the actor so that he can be “free to act”. In addition he has innovated a complete system of craft that addresses and fulfills all the obligations of dramatic material. He likes to say that “the craft leaves no stone unturned”.
He graduated from Northwestern University with a degree in theater and his acting career spans over sixty years wherein he was able to appear in over fifty Equity plays, twenty major motion pictures, fifty network television shows and running roles in one network television series and one syndicated series where he appeared in thirty nine episodes. He has written seven books on acting, placing him among the most recognized acting teachers in the world.
His books “No Acting Please”, “Being and Doing”, “Irreverent Acting”, “Acting From the Ultimate Consciousness”, “Acting, Imaging and the Unconscious”, “The Diary of a Professional Experiencer” and “Freeing the Actor” are used in hundreds of colleges, universities, and acting schools all over the world.
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